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The Curriculum
The
vision of education that informs St. Gregory’s Academy
can appear at once familiar and strange. Although it is
traditional, it sometimes disappoints the expectations
and received categories by which traditional education
is evaluated in our day. At St. Gregory’s we seek to
recover the fullness of meaning behind these educational
categories so as to overcome the false oppositions that
can prevent students from really loving and
appropriating the good, the true, and the beautiful. For
example, much of the movement to recover traditional
education is concerned with the recovery and perfection
of reason. In the face of an epidemic of sloppy and
addled thinking, teachers apply the remedy of logic. We
too prescribe this remedy, but we believe that it is not
enough and that left to itself, or the overemphasis of
it, produces more disease. Man does not live by reason
alone, not even reason perfected by logic. Borne aloft
by music and poetry, reason learns new steps that
introduce it to a dance in which it moves beyond itself,
and becomes a fit partner for the Divine Word.

Liberal Education
The philosophical perspective that
goes beyond the mere knowledge of particular facts to a
general framework within which those facts may be
understood and provides a connected view of things, was
considered by the ancients to be the special mark of a
liberal education. Liberal education rises above the
accumulation of facts to a vista from which these facts
may be seen in their proper relation to one another. The
liberal artist ascends to the universal principles of
things, for it is only within the framework of such
principles that we can even begin to have that
vision—the
view that sees things as a whole, in which the various
parts are related, and through which they exist as
parts. Only such a view is adequate to the thing as it
is, presenting reality as it is. Failure in this vision
can be of serious consequence when the object of our
concern is man and the means to his good, for without
the understanding of man in his totality we are unable
to know what actions are more appropriate to the
achievement of that good. The end of liberal education,
therefore, is to know the whole truth of things; the
truth that Christ said “shall make you free.” It is
through the encounter and conformity with the truth that
can be said to set a man free; free to think
independently of the truth he has discovered. As G.K.
Chesterton observed, “the whole point of education is
that it should give a man abstract and eternal standards
by which he can judge material and fugitive conditions.”
To know the truth that grants this freedom, and know it
for its own sake, is the purpose of liberal education.

Religious Instruction
Underscoring all activities at the Academy is a
spirit of reflection upon God, the Source of all that is
good and true and beautiful. Students are given
instruction in the doctrines and moral teachings of the
Church, stressing orthodoxy and obedience to the
Magisterium of the Church. The classes in religion
include the memorization of prayers and catechism, the
reading of Holy Scripture and other significant Catholic
texts, and instruction in salvation history, morality,
and the sacred liturgy. In the upper grades students
study basic apologetics and begin some dogmatic and
moral theology. These are approached from a historical
perspective – using, for example, the history of Church
councils to present Church teaching as it unfolded in
its historical circumstances.
In all, the religion courses are intended not
just to test the students’ memory or attention span, but
to nourish their interior lives and reveal to them
different aspects of the mystery of Christian life, a
living union with the Blessed Trinity through Our Lord
Jesus Christ. Naturally, this instruction both leads to
and builds upon the sacramental life in which the boys
routinely participate.
One of the prime goals of St. Gregory’s Academy
is that our boys learn the importance of ordering the
whole of their lives toward God. We seek to impress upon
them the merit of offering to God all that they do, in
work or play. In this we follow the injunction of
St. Paul, who says in his letter
to the Colossians, “All whatsoever you do in word or
work, do all in the name of the Lord Jesus Christ,
giving thanks to God the Father by Him.” It is indeed
our hope that whatever the boys do—be it in the
classroom, the dormitories, the chapel, or on the
athletic field—it is seen as an offering to the glory
and honor of Our Lord. This Catholic offering provides
the best motivation for noble action, to be devoted to
one’s vocation, and to avoid placing all one’s hopes and
desires in material ambitions.

Latin
St Gregory’s offers all students an extensive and
required course of Latin studies. Essential for full
participation in the liturgical life of the school,
Latin also provides excellent mental training and
facilitates a deeper understanding of the English
language and of grammar as a science. As the students
gain proficiency in Latin they begin easy exercises in
Latin oration and composition. Once the student has
concluded the study of Latin grammar, their
understanding is enhanced by reading and translating
classical and biblical texts.
Literature and Humanities
During the first years at St. Gregory’s, we
stress reading good books that delight the soul and
provide food for the imagination. Literature offers an
indirect experience of the ways of the world and the
effects of moral virtue and vice through imaginative
representations of life and experience. It also serves
to stimulate the initial reflections of a young mind on
questions central to the human condition and human
nature which is the basis of its role as an educator.
Literature seeks truth by means of fiction. It carries
with it principles, ideals, and lessons which are
timeless and universal. In imitating human action, it is
able to express ideas of universal and permanent
interest to humanity by means of particular affective,
moral, and spiritual struggles and events.
The
Freshman Literature program concentrates on the Romantic
mode of the story. The Romantic mode involves stories of
adventure, mystery, stock characters, impossible quests,
and the inherent wonder of the common and uncommon.
Romance typically presents the various facets of human
experience from a fanciful, exaggerated, and extravagant
point of view, exciting the reader’s curiosity and
desire for the good in confronting an uncontrollable
reality. The Romance is structured to have universal
appeal to the imagination, presenting atmospheres,
events, heroes, villains, and conclusions that coincide
with man’s yearning for the extraordinary in things
which bear the strength of charm, fascination, and
satisfaction. The Romance, in portraying the thrilling
things of reality, often allows them to exist
unencumbered from the necessary obstacles of the
everyday. Thus, the Romantic tale bestows upon these
realities an impetus and grace and perfection that
supersedes the realistic expectations the world applies
to such high endeavors, and nurtures the common man in
his weariness by allowing his common dreams to come to
life.
The Sophomore Literature course is a study of the
myth and various mythologies of the world. Arising out
of man’s desire to provide significance to the mysteries
of his world, a myth is a purely fictitious narrative
usually involving legendary, historical, and spiritual
persons, actions, or events, and often embodying some
popular conception of natural and supernatural
phenomena. In order to provide a context whereby he
might judge things beyond his ken, man wove tales that
introduced questions and ideas of a cosmic scope,
springing from the mystical sensitivity of the human
spirit. In almost every culture, myth involves a
delineation of the relationship between men and the
gods, standards of heroism, and epic feats in their
veiled portrayals of truth.
Although the myth may be rationalized with much
advantage, its primal human wisdom and philosophic
thought must remain sacred and prevalent to those who
undertake to study and learn myths. The real idea behind
the purpose of mythology is to reveal the thoughts and
feelings of a culture at some point in time, when the
imagination was not checked by reason in endeavors to
teach and portray. A myth is a holistic portrayal of
reality in a particular environment and time, the
visionary ideals of that people, and the relations
between the various elements of existence.
Myth has always been a vehicle and tool for
teaching, passing on knowledge and tradition, religious
beliefs, art, music, poetry, and the ideals and virtues
of a people. Thus myth has carried a deep human
significance in its expressions for life with its
spiritual force and majestic beauty. The myth also
possesses universal significance beneath its poetic
beauty, presenting events and characters that portray an
ideal type which serve as examples for action and
understanding human nature. Inherent in the true myth is
the capacity of detecting a basic law, not only for all
of
mankind
but in all things. The ancients called these innate
ideas in every thing and every human creature the “form
of its being.” Thus myths present ideas, and principles
whose truths are applicable to all of mankind. They
paint pictures of idealism in endeavors, deeds, and
ends, and offer shining models for imitation by stirring
hearts with the desire for glory, honor, and virtue. The
dual purpose of mythology, therefore, is to preserve the
wisdom of the ages and present the thoughts and feelings
of a generation with elegance and imagination. At St.
Gregory’s a special endeavor is made when studying myth
to recognize the effects of Divine Providence in pagan
tales and the gradual effect that Christianity had on
human folklore.
As the students refine their ability to read with
attention, reflection, and confidence, the study of the
good books gives way to some of the great, classical
works of Western civilization. The Humanities classes, a
series of courses for the Junior and Senior students,
emphasize classical authors and the study of the three
major humanistic disciplines of literature, history, and
philosophy. The Junior year is devoted to reading works
by ancient Greek and Roman authors; the Senior year
turns to a study of the works from the Medieval and
Modern periods of the Western literary tradition. Some
of the books read over this two-year period of time are
Homer’s Odyssey, the Oresteia by
Aeschylus, Plato’s “Apology,” Virgil’s Aeneid,
the Inferno by Dante, selections from Chaucer’s
Canterbury Tales, several plays by Shakespeare,
plus short stories and novels by British and American
modern authors.
Though it is universally recognized that the
humanities have assumed a central role in education for
the transmission of culture throughout the history of
Western civilization, and that to be unfamiliar with the
poetry of Homer and Virgil, Dante and Shakespeare means
largely to remain an uneducated human being, it may come
as a surprise to hear that the purpose of the humanities
is not to convey knowledge to us about our past, but
rather to humanize us. As R.V. Young wrote, “At the
center of imaginative literature or poetry, then, is
mimesis or
imitation: the representation of human life – or more precisely, the
representation of human experience. We are naturally
curious creatures, but not merely in the manner of cats
and monkeys; our specifically
human
curiosity is inspired by our consciousness – our
awareness of the world around us and of our selves
situated within it. This self-consciousness necessarily
entails a recognition of other selves, other souls. The
poet is important because, by expressing himself, he
opens up to us the mind and heart of another, and the
knowledge of our likeness and difference from others is
essential to our self-realization…” The knowledge of
human nature and the human condition that the humanities
yield is the basis, therefore, of its educational role.
Rhetoric
Rhetoric is the liberal art of
intellectual nourishment, as cooking is the servile art
of physical nourishment. Rhetoric makes truth effective.
It is not simply more and more grammar or more and more
logic any more than cooking is more and more vegetables.
Rhetoric is rather making something out of the sentences
and the arguments that grammar and logic have supplied.
Aristotle defines rhetoric as “the faculty of observing
in any given case the available means of persuasion.”
The purpose of studying rhetoric is three-fold: first,
to understand and be able to apply in daily and academic
realms the fundamental principles of rhetoric as taught
from the Western canon (Aristotle, Plato, Augustine,
Cicero); second, to awaken students to the guiding
powers of rhetoric; third, to understand that the
essential quality of a
rhetor is not only his skill at speaking or his ability at prose but
also his ethical virtues.
In short, as Aristotle argues, the truly good
rhetor is he
who is skilled in speaking and writing, but also he who
is ethical, just, and magnanimous. Or, as the Roman
orator Quintilian defined it: Rhetoric is the
good man
speaking well.
Without the qualities of the good or virtuous man, a
talented rhetorician can easily and quickly pervert the
use of rhetoric by using it selfishly instead of to lead
others to the good.
Logic
Logic is the art of reasoning well in
order that the end of reason, truth, may be attained
with more surety and ease. Although the students will
already have begun to develop the logical art through
their rhetorical exercises, a full year’s course in
classical formal logic develops in the students a
perfected logical habit through exercises pertaining to
definition, division, and inference. But as it is
impossible to study logic without engaging in some
theoretical considerations of philosophy (e.g. an
introduction to the Categories, the predicable
relations, the different kinds of cause), the course has
as a secondary purpose the introduction of some
fundamental philosophical principles.
The course opens with a reading of
Plato’s Meno
that the boys may acquire a taste for philosophic
inquiry and the importance of defining terms, the first
step in the art of logic before proceeding to a more
systematic inculcation of the forms and modes of
definition, judgment and syllogistic reasoning. The
second semester, conceived as an introduction to
philosophy and particularly the study of ethics, begins
with Plato’s
Phaedo and discussions concerning the end and good
of man. Boethius’
Consolation of Philosophy serves as a continuation
of these reflections and concludes the year with an
investigation into the cardinal virtues of prudence,
temperance, courage and justice.
Mathematics
Mathematical studies at the Academy begin with an
emphasis on proficiency in basic math skills and
concepts and then continue with two years of algebra and
one year of Euclidean Geometry.
The purposes of the algebra courses are to
complete the students’ mastery of the concepts and
skills of basic high-school level algebra and to stress
manipulative calculating skills over calculator
practice. Students who show sufficient academic progress
may be allowed, if schedules allow, to take an advanced
math tutorial in trigonometry or calculus. However, we
believe universities are the appropriate venue to teach
advanced mathematics. We provide a solid and sufficient
pre-college foundation in mathematics while remaining
true to our commitment to a non-specialized education in
the liberal arts.
Euclidean Geometry
Plato
said, “geometry is the knowledge of that which always
is, and not of a something which at some time comes into
being and passes away…it tends to draw the soul to truth
and is productive of a philosophical attitude of mind.”
Geometry provides the student with a real experience of
truth. At St. Gregory’s Academy we study demonstrative
geometry in its purest form. The students learn and take
turns demonstrating the whole of the first six books of
Euclid’s
Elements. The
Elements is a classic example of scientific knowledge, which is a
knowledge founded on the understanding of everything
that comes prior to that knowledge. Such a mode of
learning helps to ensure that the learning is genuine
rather than the simple memorizing and manipulating of
formulas. It also rigorously forms the mind to think
clearly and logically, thus paving the way for
philosophical and logical reasoning.

The geometry class at St. Gregory’s
is much more than just a math class. Not only is the
geometry better learned and grasped through Euclid’s organic method, but also the student
receives a rigorous exercise in clear and organized
thought and how to reproduce that mode of thought. Such
an experience will profit a student interested in
seeking the truth, no matter what its form. The geometry
course is a difficult and demanding encounter with
mathematics, truth, and beauty, therefore leaving
lasting impressions on the students and also the
teacher. We say that teaching is a species of friendship
at St. Gregory’s. Friendship, however, implies some sort
of common ground on which the friends might meet. When
studying Euclid,
both teacher and student stand humbly before the eternal
truths manifested within his pages.
American and World History
St. Gregory’s offers separate courses of
historical studies during the 9th and 10th grades:
American and World History respectively. These studies
are incorporated within the Literature courses and the
Integrated Humanities Program following a natural order
from ancient to modern times. The focus of both classes
is guided by the two-fold thesis that God in His
providence has guided the course of history for the
salvation of souls and that individual men can by their
actions and words affect the course of history. As much
as possible the courses are taught in narrative manner
trying to capture the drama in the stories of great
individuals and great events. Students are expected to
know the data of history (names, places, dates, etc.),
but such data is not to be presented in abstraction from
its context of those stories. Thus, students begin to
develop a historical sense: a real and profound
understanding of men and events, together with the
recognition of progress and decay in human culture.
The Freshmen study the history of
North America
and particularly the
United States. The
course begins with the story of Columbus’ discovery of America,
Cortez’s conquest of
Mexico
and the struggle between the English and the French for
the control of North America. From there the focus shifts to an
understanding of American history, the Revolution, the
writing of the Constitution, and westward expansion. A
special emphasis is given to understanding the issues,
characters, and battles of the Civil War. This class
culminates with a trip to the battlefield at Gettysburg. The class proceeds by the use of
biographical and anecdotal material attempting to
comprehend the events and issues by coming to know and
appreciating the lives of the eminent men involved, e.g.
Columbus, Cortez, St. Isaac Jogues, Wolfe, Washington,
Hamilton, Jefferson, Jackson, Lincoln, Lee, Grant, etc.
The title of the Sophomore history course is
World History. Proceeding in a manner similar to
Freshman year, the class begins with Greek history and
introduces the great Greek leaders and philosophers and,
through them, gains insight of the cultural treasure the
Greeks handed on to the Church and the world. The course
then traces the history of
Rome
from its modest beginnings to its height of power to its
demise, keeping in mind how God made use of this human
creation for His divine purpose. In the second semester
the material closely outlines the rise of the Church by
special attention to those individuals who cooperated
with God’s grace to build and expand Christendom. A
special emphasis is given certain saints and heroic men
and the impact on the course of history. St. Benedict
and his Rule receive special attention for their
influence on history and on the community life within
the Academy. The class culminates in a trip to the
Benedictine foundation in Clear Creek,
Oklahoma.
Natural Science
St. Gregory’s curriculum includes a four year
series of classes in the natural sciences emphasizing
natural history and including botany, zoology, earth
sciences, biology, and physics.
The scientific discipline of Natural History is a
biological discipline that seeks to approach the living
organism on the level of the individual in its own
sphere in order to arrive at the truth through
observation, hypothesis, and experiment. Natural History
involves a poetic, philosophic, and imaginative approach
to the natural order, seeking to experience first-hand
the realities studied and appreciating the beauty
inherent in the balance and processes of the created
order.
Natural History Freshman year, we stress direct
contact with nature by making use of the possibilities
afforded by our rural setting, large grounds, and
opportunities for extended field trips. This serves to
develop observational skills in addition to increasing
knowledge and fostering a healthy respect and love for
the created order. Students learn the names and
properties of natural objects and are required to
clearly describe their observations. This first,
participatory knowledge of nature supplies the necessary
foundation for a true understanding of the created
order. A sense of wonder towards the inscrutable
mysteries of nature provides the impetus towards a more
mature comprehension of the ways of the world. The first
goal, then, is the general experiential knowledge that
everyone should possess. Only then do the students
advance to the more theoretical and specialized studies
in the upper grades.
Sophomore year science is an introduction to
geology, oceanography, meteorology, and astronomy. The
course explores various points of contact between faith
and the sciences, with discussions that center on the
Galilean controversy, and the question of uniformitarian
and evolutionary assumptions.
Natural History for the Juniors focuses on the
art of scientific observation of the story of life in
the natural sphere and the strategies, tactics, and goal
of the science. Special attention is given to the
development of the eye to see things with more clarity
through exercises in observation, artistic rendition,
and guided field investigations. The students are
challenged thereby to discover and attempt the process
of natural history to strengthen their powers of
perception and come to the truth about living things in
the natural realm via experience, examination, and
experiment. Studies are done in animal behavior (ethology)
and instinct as well as a consideration of the two-fold
role of man in nature as a steward of God’s creation:
the poetic and practical. The objective of the course is
to develop in the students an eye and imagination that
will grow into a vision of the Divine image as it
subsists in the things that He has made.

Seniors advance in their scientific pursuits
through the study of classical conceptual physics. This
course is named from the Greek root of the word
“physics” meaning “nature.” It derives its approach to
the science from the ancients, despite its resemblance
to a modern physics course. In fact, this course might
be more accurately described as a “history of science”
or even a “philosophy of science” rather than “physics.”
The purpose of the course is to give students an
understanding of the development of ideas about the
physical world and a perspective from which to judge the
accomplishments of modern science.
The course begins where science began with the
study of astronomy and the heavens. Having established a
basic understanding of the motions of the sun, the moon,
the stars, and the planets, students examine the ancient
Greek understanding of the motions of the heavens. We
look at the writings of Plato, Aristotle, and especially
Ptolemy. The course then traces the development of the
explanation of the motion of heavenly and earthly bodies
through the works of Copernicus, Brahe, Kepler, Galileo,
followed by
Newton
and his laws of motion and universal gravitation, and a
brief introduction of Einstein’s theory of Special
Relativity. The course concludes with the reading of
Augros’ The New Story of Science, which gives an
understanding and perspective on some of the progress
and surprising discoveries of modern science.
Music
At
St. Gregory’s music is given its due as a
profound means to form character and delight the soul.
Music is perhaps the strongest vehicle for expressing
man’s sensitivity and desire for the deepest reality,
his wordless jubilation or inexpressible sorrow. Music
falls squarely into the formal subject matter of
philosophy precisely because it has the power to make us
wonder. By its very nature, it lies so close to the
fundamentals of human existence and conveys to the
listener a most intimate meaning which is quite distinct
from any meaning communicable by words.
But music does more than express what
any individual artist might feel within himself. Music
has the power to call us out of ourselves to participate
in something greater. For Plato and indeed for the
Western tradition in general, music was integral in the
art of education because it mysteriously mirrors the
impulses of the soul and imitates moral states. Music
not only presents the good to our intellects, it adorns
it, like becoming raiment on a beautiful woman, and thus
has the power to move us wholly—intellect, will, and
even body—to that good. “A hymn, O God, becomes thee in
Sion.”

At St. Gregory’s Academy the students learn and
sing both traditional secular music and sacred music,
but music is not an important
part of their daily routine—it informs
all they do. Apart from folk music class and Gregorian schola
practice, the boys sing for Mass and Compline, at
leisure or banquets, in the vans and during athletic
events.
They
sing about love, war, brotherhood, heroism, villainy,
humor, sadness, joy and God Almighty. In fact, it is
hard to think of any aspect of their experience that is
untouched by music, and this is precisely why their
education at the Academy is so precious.
According to Plato, the end of education is to
teach men to feel pleasure and pain at the appropriate
things. How could this be better accomplished than
through music? For music orders our passions, placing
them in the proper relation to our intellect and will.
And how much better when that music is sung in unison
with others? For by moving us to the good, it orders our
whole being, placing us in our proper relation to the
good and those around us.
St. Gregory’s is much greater than the mere sum
of its component parts and it calls each boy to step
outside of himself to participate in that greatness. As
in any symphony or orchestra, harmony is achieved by a
group of individuals, each with a unique role, playing
the same song. At St. Gregory’s, all are striving for
the same goal of unquenchable and eternal bliss, singing
one song, and each member has his own part. As our
Western tradition asserts, man is a social animal and
each individual’s good can only be found in the common
good. It is of first importance then that each find his
proper place in relation to those around him. In one of
his last works, the
Laws, Plato
claimed that music does not merely serve as a model for
external order and man’s proper relationship to society.
It affects that order. For in a song, though each
performer has his unique part, the good is not only
being conceived but also affirmed by all the
participants. Thus, not only are their bodies and senses
moving in harmony, so are their intellects, emotions and
wills. By participating in the greatness of the whole,
each young man at St. Gregory’s reaches a level of
individual greatness he would never attain on his own.
Boys who would never sing a note in their lives must
learn their part in their music class, in Compline, in
the Mass and thus are given the means to discover their
place before God in an atmosphere of music and silence,
and fall in love with those things they are in harmony
with because they are beautiful, true, and good.
Therefore, since music is such a powerful art
that penetrates the human soul and body, often without
conscious realization, and bears strong influence on the
formation of character, the types of music the students
are exposed to, learn, and sing at St. Gregory’s Academy
are chosen with care. It is mainly divisible into three
categories: sacred, classical, and the
music
of a people, or true folk. Sacred music is the highest
of these three, as its immediate aim is the elevation of
the soul to the praise and glory of God. Consequently,
it is the most sublime and beautiful form of music,
having been perfected throughout the ages by the Church.
As sacred music leads the soul to God, ordered classical
music instructs the soul, and encourages the discipline
of the mind over the body. True folk music aims to
affect the human heart in its testimony to a tradition
reaching back thousands of years. Its melodies contain
the wisdom of the ages. The emotions it provokes are
true and edifying; it teaches men to feel accurately.
The music of the Academy, befitting a Catholic
gentleman, promotes prayer, love, right thinking, joy or
appropriate sadness, and righteous indignation. St. Augustine tells us
that God is a symphonic conductor coordinating the
beauty of the cosmos as one grand ineffable song. When
we realize this we see that music and poetry, the music
of words, are not decorations on the edges of life’s
serious matters, but a participation in the very love
that moves the stars. The Academy gives a large place to
music and poetry in its program of formation. These arts
of the muses, which in our day too often lead the young
away from God, should awaken and inform the soul of the
student so the he can take his place in the universal
chorus of divine praise.
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The Faculty and Staff
Friendships between a faculty is an
essential attribute to a school, for schools, as
“schools of thought,” are groups of friends at leisure
who, apart from necessary business, enjoy the free
exercise of their reason; hence the term “faculty:” an
enabled organ free from any purpose but its own
exercise. A faculty that is joined in friendship is the
strength of an institution, for human enterprises (and
even divine ones depending on human instruments) most
often fail because human relations are impeded or
strained. The only hope (as in marriage) is a bond
stronger than the individuals: the love of friends bound
upon a common journey. St. Gregory’s Academy makes every
effort to maintain this ideal of forming and fostering
friendship among its faculty, for a school is simply a
faculty of friends learning together who, since the good
is self-diffusive, teach.
Howard Clark, Headmaster, Teacher

Mr. Clark graduated from
Kansas
University with degrees in
Comparative Literature, English, and Secondary
Education. He continued postgraduate studies at
Kansas
University,
Wichita
State, and
Pittsburgh State
while launching his teaching career at the School of the
Magdalen and a variety of public schools throughout
Kansas. Mr. Clark brought his
family of five to
Pennsylvania
in 1994 to teach at St. Gregory’s Academy in its second
year. He has taught many subjects at St. Gregory’s
throughout the years, and is currently teaching the
Humanities program. His two sons have graduated from St.
Gregory’s.
Rev. Fr. Justin Nolan, F.S.S.P., Rector, Chaplain, Teacher
Fr. Nolan worked eight years in business
administration, including two years overseas managing a
multinational corporation, before entering the
Fraternity of St. Peter’s seminary in 2001. He was
ordained to the priesthood in 2008 and has since worked
in collaboration with EWTN to produce the Fraternity’s
Tridentine Rite instructional video for priests and
served as assistant pastor at the Fraternity’s
apostolate in
Naples,
Florida. This year, he joins the
faculty of St. Gregory’s Academy as the Rector and
Chaplain.
Rev. Fr. Edmund Castronovo, Assistant Chaplain, Teacher
Fr. Edmund Castronovo is a graduate
of Wadhams Hall Seminary (Ogdensburg, N.Y.)
with a B.A. in Philosophy, and of Catholic University of
America with an M.A. in Sacred Theology. He was
ordained for the Diocese of Syracuse, NY in 1976 and has
served as pastor of three parishes. He is currently the
assistant pastor at St. Michael’s Church in Scranton and teaches Religion at St.
Gregory’s.
Deacon John Rickert, Assistant Chaplain, Teacher
Dr. Rickert received a bachelor's
degree in Mathematics and Classics from the University of Dallas in 1990 and a doctoral degree in
Mathematics from
Vanderbilt
University in 1995. He was
ordained a deacon for the Priestly Fraternity of St.
Peter in March of 2009. Dr. Rickert teaches Sacred Music
and Religion.
James Hanisch, Teacher, Infirmarian
Mr. Hanisch received his bachelor’s
degree from the
University of Kansas,
and his certification in English and Mathematics from
the Northeastern State
University in Oklahoma. He has been a
member of the St. Gregory’s Academy faculty since its
first year and continues to teach Latin, Earth Science,
and Algebra II. Mr. Hanisch is also the students’ Funds
Manager and Infirmarian. Mr. Hanisch and his wife have
three daughters.
Daniel Davidson, Teacher
Mr. Davidson received his bachelor’s
degree in Liberal Arts from
Thomas Aquinas
College and went on to
teach at the
Ojai
Valley School
before becoming an assistant tutor at his
alma mater for
two years. He then taught at the
Highland School
in Texas,
worked with the Mary Foundation, and became Headmaster
at Holy Family
Academy in Pennsylvania, before he
joined the faculty at St. Gregory’s. Mr. Davidson
teaches Latin, Physics, and History and is the father of
five.
Sean Fitzpatrick, Teacher
Mr. Fitzpatrick is a graduate of
Thomas
Aquinas
College
and St. Gregory’s Academy. He has worked at St.
Gregory’s as a dorm father, teacher, and fund-raiser.
Mr. Fitzpatrick currently teaches Literature, Mythology,
and Drama, which includes the orchestration of the
annual school play. He is also serves as special events
coordinator, public relations officer, and part-time
fund raiser. Mr. Fitzpatrick is married with three
children.
Stephen Fitzpatrick, Teacher, Assistant Coach
Mr. Fitzpatrick received a degree in
Liberal Arts from
Thomas Aquinas
College after graduating
from St. Gregory’s Academy. He returned to St. Gregory’s
as a dorm father, teacher, and coach. He is currently
the assistant soccer coach. Mr. Fitzpatrick teaches
Latin, Algebra, Geometry, and S.A.T. preparation. He
will receive his master's degree in Theology through the
University of Scranton
this year. He and his wife have two daughters.
Brendan Landell, Teacher, Assistant Coach
Mr. Landell received a Bachelor of
Arts degree from
Thomas Aquinas
College after graduating
from St. Gregory’s Academy. He returned to St. Gregory’s
as a teacher and assistant rugby coach. Over the years,
Mr. Landell has taught Geometry and Sacred Music, and
currently teaches senior Rhetoric, Logic, Latin, and
Folk Music. Mr. Landell attended
Aestiva Romae
Latinitatis, a two-month intensive Latin course in Rome with Fr. Reginald Foster, one of the
Latinists for the
Vatican.
Garret van Beek, Teacher, Coach, Dean of Discipline
Mr. van Beek graduated with an Honors
degree from the
University of Ottawa
in sociology after his graduation from St. Gregory's. He
teaches freshman and junior Natural History. Mr. van
Beek is the head coach for the Highlanders’ soccer and
rugby teams and the Athletics Director for the Academy.
He has led the Highlanders to both soccer and rugby
state championships in the past two years. In addition,
Mr. van Beek serves as the Dean of Discipline and
College Preparation Supervisor. Mr. van Beek is married
and has two children.
Luke Culley, Teacher, Assistant Coach
Mr. Culley received a bachelor’s
degree in Liberal Arts from
Thomas Aquinas
College, and a master’s
degree in Literature from the
University
of Dallas.
He is currently working on his dissertation, the final
step before receiving his PhD from the
University
of Dallas
in Medieval Literature. Mr. Culley was a dorm father and
teacher at St. Gregory’s Academy from 1994 to 1999, and
taught American History, Latin, Literature, Music, and
assisted coaching soccer and rugby, as well as directing
the juggling troupe. This year Mr. Culley is teaching
Rhetoric and a poetry class and coaching soccer. In
addition, he is providing leadership and instruction for
the St. Julian’s Juggling Troupe, which plans to make
the Santiago pilgrimage across Spain this
summer, as is their annual tradition.
John Burger, Head Dorm Father, Teacher, Assistant Coach
Mr. Burger graduated from St.
Gregory's Academy and completed his bachelor's degree in
Philosophy at
Christendom
College. He has returned
to his alma mater
as a dorm father, Latin teacher, and assistant rugby
coach. Mr. Burger joined Mr. Landell in
Aestiva Romae
Latinitatis, a two-month intensive Latin course with
Fr. Reginald Foster, one of the Latinists for the Vatican, in Rome. This year he is the
head dorm father for the Academy.
Nicholas Von Tersch, Dorm Father, Assistant Coach
Mr. Von Tersch studied at
Hampden-Sydney
College before
transferring to UVA’s College at Wise, where he
graduated in 2006 with a degree in justice
administration. He joins the St. Gregory’s staff this
year as a dorm father.
John Sercer, Dorm Father, Assistant Coach
Mr. Sercer is a graduate of St.
Gregory’s Academy and the
University of Dallas.
He holds a bachelor’s degree is English. This year, at
St. Gregory’s, Mr. Sercer is a dorm father, writing
tutor, head junior varsity soccer coach, and assistant
rugby coach.
Matthew McAuliff,
Dorm Father
Mr. McAuliff graduated from St.
Gregory's Academy in 2001 and hails from
Fredericksburg, Virginia.
He acquired a B.S. in Public Relations from
Virginia Commonwealth
University in Richmond. Mr. McAuliff
will be serving the academy this year as a dorm father
and as the assistant junior varsity soccer coach.
Andrew Wilson Smith,
Resident Artist, Art
Instructor
Mr. Smith, a graduate of St. Gregory’s, studied
sculpture at the Pennsylvania Academy of Fine Art and
the Florence Academy of Art, as well as serving
apprentices with various sculptors. He has completed a
number of commissions, including a bronze fountain piece
for the American
School
in Switzerland, a
set of eight herm-portraits for
California
State University
at Stanislaus, and recently a set of seven metopes for
the St. Theresa Education Center in
Sugar Land, Texas.
In addition to his studio work, Mr. Smith has joined the
faculty as the art and art history instructor at St.
Gregory’s, after having taught art history at
Wyoming
Catholic College.
To learn more about Andrew Wilson Smith and to view his
work, please visit his website:
www.andrewwilsonsmith.com.
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